• Price: $599.99 & eligible for FREE Super Saver Shipping on orders over $25. Details

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    18 new or used available from $545.00

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    Customer Digital SLR Lens Reviews

    digital camera megapixel5
    Best camera reviews.I have been using a film SLR (Pentax) camera for some time and wanted to graduate over to a digital SLR. I went around looking for a beginners digital SLR and had to choose from Sony A300, canon rebel xti digital camera and Nikon D60. Looking at the prices and the reviews I decided to buy the Sony A300. One of my more accomplished friends bought the Canon XSi at the same time while another of my friends swore by a Nikon. But after a few months, I have realized that for over 95% of our photos the Sony is just as good, if not better than the Canon or the Nikon, and about 20% cheaper. Also, the image stabilization is awesome and since the stabilizer is in the body, and not in the lens, each individual lens is way lighter. The sensor is as good as the Nikon one and maybe a hair less sensitive than the canon one in very low lights (noticeable at 1600 ISO or over). But, I have realized that a 1600 ISO picture is important low light conditions and mostly when all efforts to improve exposure fails, making it very rare. So it is not worth the 20% of price difference for me.

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    Customer Digital SLR Lens Reviews

    I love this digital slr finepix camera!5
    Just a few thoughts about why I like this Fujifilm finepix s700. I bought the finepix camera for my dad, his first digital slr finepix camera. i have the s700 camera and thought this would be a great easy camera for him to use, and it is. its a great fujifilm s700 camera for the price and 17th st photo is the best

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  • Price: $1,898.55

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    Customer Digital SLR Lens Reviews

    Great Digital SLR5
    SLR cameras nikon I purchased this nikon d40 camera for myself last year. I had hinted to santa that this was what I wanted for Christmas. Christmas came and went with no camera under the tree. So, I took advantage of a good deal at Amazon and purchased the D40x kit and also the 55-200mm VR lens. A year later and I’m still pleased with my purchase. I’m still learning how to use it, having fun and taking some great pictures.

    My first digital SLR nikon cameras5
    I took a while converting from film to digital. My first two digital slr nikon (back around 2000) were sold within a week of purchase. Somewhere around 2004, I bought my first point-and-shoot nikon d40 digital slr, and it was good enough to keep. I have upgraded one or two times, but finally had to get an nikon d40 slr digital camera.

    Fantastic nikon digital cameras for the price. Amatuer and pros alike will find useful.5
    Fantastic small nikon slr form factor in a surprisingly high-quality image. Have been using this nikon d40 digital camera for travel assignments and on-the-go when I need to spend a lot of time wandering around, and is an excellent light-weight and inconspicuous body. Still works with many Nikon lens, though you’ll need to manual focus with some of them. Highly recommended, I plan on using this till 2012. A++

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    Digital SLR Reviews -Product Description

    Set your creativity free. The Sony a (alpha) digital SLR-A200 camera is poised to welcome you into the exciting world of digital SLR performance. A DT(R) 18-70mm is included here, as well as superb 10.2 megapixel imaging, high-sensitivity shooting, and Super SteadyShot(R) in-camera image stabilization that reduces blur with a brilliant array of Sony, Carl Zeiss and Minolta a-mount lenses. It’s fast, lightweight and incredibly easy to operate, with a large 2.7″ LCD screen, simple Function Guide menu display and Creative Style settings to fine-tune camera performance.

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    Digital SLR Lens -Customer Reviews

    An excellent tool for digital photography4
    If you already have Nikon lenses and want a full-frame DSLR, but you aren’t ready to drop almost $5k on a D3, then this is the camera for you. I have been using a D200, which now becomes my reserve, and the transition to the D700 was seamless. It feels the same except that it has a fuller viewfinder and a much nicer LCD. The results so far are indistinguishable, but only because I have not had access to a printer that can do these images justice. There is no physical reason why I did not give the D700 five stars–only its price. You need to think hard as to whether it is worth the premium over the D300 or even the still-available 200. Since every single lens I own is full-frame, it was to me. Now the images from the 10 MM end of the range on my Sigma short zoom will be REALLY wide-angle. And kudos to Nikon for maintaining their backward compatibility with their really old glass. There is hardly Nikon lens has made that can’t be at least optically functional on this camera.

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    12 new or used available from $537.78

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    Digital SLR Lens -Product Description

    Set your creativity free. The Sony a (alpha) DSLR-A200 camera is poised to welcome you into the exciting world of DSLR performance. A Digital SLR Lens 18-70mm and a 75-300mm lens are included here, as well as superb 10.2 megapixel imaging, high-sensitivity shooting, and Super SteadyShot(R) in-camera image stabilization that reduces blur with a brilliant array of Sony, Carl Zeiss and Minolta a-mount lenses. It’s fast, lightweight and incredibly easy to operate, with a large 2.7″ lcd camera screen, simple Function Guide menu display and Creative Style settings to fine-tune camera performance. The powerful Bionz processing engine is also included to increase response time. Built-in ElectronicFlash - Built-in Auto Pop-up - Auto, Fill-flash, Rear flash sync, Slow Sync, High Speed Sync, Wireless off camera flash (with Flash HVL-F56AM, F36AM) Self-Timer modes Adjust contrast, saturation and sharpness settings for any of 8 finishing styles — including Standard, Vivid, Portrait, Landscape, Night View, Sunset, B & W and Adobe RGB modes Accepts CompactFlash Type I/II media and Memory Stick(R) PRO Duo media via an optional adaptor Unit Dimensions (Approx.) (WHD) 5 3/16 x 3 7/8 x 2 13/16 (130.8 x 98.5 x 71.3 mm) / 1 pound 2.8 ounces Comes with DT(R) 18-70mm f3.5 Zoom lens (27 - 105 35mm eq), 75-300mm f/4.5-5.6 Compact Super Telephoto Zoom lens; NP-FM500H rechargeable battery (7.2V, 1600 mAh; CIPA standard - approx. 750 pictures); BC-VM10 battery charger; Video and USB cables; Shoulder strap with eyepiece cap and Remote Commander(R) clip; Body cap; Software/USB Driver CD-ROM; Sony USA 1-Year Parts and Labor Warranty documentation

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  • The inner workings of the digital SLR rely on image sensors. These sensors capture the image by carrying electrostatic charges, which attract the dust, along with many airborne particles to these same sensors. Particular areas, such as dirt fields, beaches, or parks, have more dust than others.

    We need to save our SLR from dust if we want to obtain consistent results, this is not an easy battle to win, because dust finds different ways to get inside our camera body and stick to the sensor. This happens especially when the lens is being replaced or it happens when the sensors get charged - drawing in the dust. Probably the easiest way to avoid dust is by changing the lens in a clean place with no dust - but it makes sense to not change the camera lens in a windy, dusty or sandy location.

    It is much better to change them inside a closed room before leaving for a shoot. It can be determined if the camera is affected by dust in a simple manner. Shoot a picture of a clear blue sky or a smooth white surface, well lit. Shoot without a flash, such as f/16 or f/22; if the camera has a zoom lens, shoot the test shots at a wide angle. If the camera zooms in, the dust splotch will appear like a soft blob instead of a spot.

    When taking pictures, try to hold the camera in a downward angle, while changing the lens to avoid dust from entering from above. Basically, the mirror fixed inside the SLR offers protection to the sensor from dust. The mirror/sensor chamber, which can accumulate dust, should therefore be kept clean to avoid dust from finding its way to the sensor. In case it is decided to change the lens in the field, try to find a sheltered location. Try to reduce the time the camera is kept open, by keeping the replacement lens ready for a swap.

    Giotto’s Rocket Air Blower is a good product to keep for removing dust from the camera. Reviews have said it is light to carry, yet bulky. Other than that, it is a good product. It effectively cleans with just a puff or two, and is better to clean at home or the studio. Never clean the insides of your camera with compressed air stored inside an Aerosol can.

    The propellant in the Aerosol can sometimes sprays a liquid that quickly evaporates leaving a residue behind on the surface of the sensor resulting in malfunctioning of the sensor. The air blowers work a lot better. The air blower is helpful when available within arm’s reach. It helps to eliminate massive dust in an easy manner, helping a few photographers, who use editing software to remove the particle from the pictures, keep their cameras clean.

    Another way to avoid dust accumulation, in emergencies you can shoot with wide aperture openings. This reduces the camera’s depth of field and negatives the impact that dust may have on an image. However, this should not be made a practice as he dust, if it is allowed to accumulate on the sensor surface, will lower its sensitivity.

    Autor: sayush

    Digital SLR Lens

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  • Portrait photography is probably the best kind of photography that defines human interest. Although it is considered as the easiest area of photography compared to others, portrait photography appeals to many people and photographers alike because it is quite interesting and challenging.

    Since it’s all about taking people’s photos, a portrait photographer should possess a genuine interest in people that would eventually become their subjects. They should care about people and are natural conversationalists to break the ice.

    Above all else, portrait photographers should also possess the skill to observe their subjects’ characteristic gestures and expressions and can easily identify a person’s best side and angle.

    GETTING STARTED

    If you think you have what it takes to be a portrait photographer, then you should familiarize yourself with the different areas of portraiture. Basically, there are different types of portrait depending on the usage or purpose.

    Some of the common categories in which portrait photography falls into include amateur portraits of friends and family, photos of people in a social gathering, editorial portraiture where pictures are taken by photographers for newspapers, magazines and other publications’ use, fine art portraiture where photos are taken specifically for display in museums and galleries, formal portraits where subjects pose for the purpose of a photograph and informal portraits or ‘action shots’ where the subjects do not intentionally pose for the camera.

    THINGS TO CONSIDER AND RECONSIDER

    Many photographers would agree that the intention of the photographer is what sets a photograph apart from a portrait. If you would want to try portrait photography, here are some of the things you might want to consider:

    1. Camera. In portraiture, any 35mm SLR (single-lens-reflex) are fine. If you can afford a Digital SLR, it’s better because you can save on film and processing. Never opt for a zoom point and shoot because it can’t provide sharp outline and accurate results.

    2. Lenses. There will be times that you need to emphasize or de-emphasize a specific feature of your subject at a certain distance. These are what the different kinds of lenses are for-to highlight or conceal any good or bad feature of the subject.

    Many professional photographers suggest 300mm or 600mm lenses but for starters, typical portrait lenses that are between 90 and 135 millimeters long for 35mm cameras are okay. Nikon 105/1.8 (MF only), Canon 100/2 USM, and Canon 135/2 USM are some of the recommended portrait lenses available in the market.

    3. Film. Since digital cameras no longer require the use of rolls of film, this should not be a big trouble for you. All you need is to look for a good compact flash that has high memory to produce high-resolution photos. But if you have a manual or SLR camera, purchase black and white and color films to provide choices to your clients.

    4. Location. An ideal location for any portrait photography shoot is a studio. Aside from providing enough working space to work at, having a photo studio also ensures the safety of your equipment. But if you can’t set up a studio yet, it is advisable to find a space that can provide you a working area.

    In setting up a studio, consider the rental cost, size, accessibility to target market and the facilities offered. If you take environmental portraits, you wouldn’t need a studio that much because your shoots will depend on the surroundings that create great impacts on your subject.

    5. Lighting. If you have a portrait studio, consider the sources of light that would flatter your subjects. If your shoot is outdoors, it is advisable to choose an overcast day to avoid shadows in your photos.

    Author: Low Jeremy Author Ranking Gold

    Digital SLR Lens Reviews

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